The step pyramid - EGYPTOLOGY MAGAZINE
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The step pyramid

 The step pyramid

The step pyramid

The step pyramid


The step pyramid of King Djoser and his funeral complex in Saqqara Covering an area of eight kilometers, the necropolis of Saqqara is the largest in Egypt. Historically it is also the most important as all the main dynasties are represented, from the first up to the Ptolemaic and Persian eras. Rising like a citadel surrounded by pyramids and mastabas of all periods, the funerary structures of Djoser represent the ideal center. To the north a series of quite beautiful tombs spreads out, including the pyramid of Teti and the Serapeum. Partron of the necropolis was the god Sokar "and the area is named after him" often portrayed clothed in green and with a hyena's head.
Splendid images of the monumental site of Saqqara dominated by the step pyramid that, was the last resting place of Djoser. The most fascinating element in the king's funerary chamber is the decoration of the walls "detail below" consisting of thousands of blue and green majolica tiles representing bundles of rushes. The horizontal limestone moldings are similar to the cords that bound the stalks of the papyrus.

The Step Pyramid a residence for eternity

Although the third dynasty actually began with the king Sankhat, of whom little is known despite a reign that lasted for eighteen years, the real founder is considered to be Djoser, a name derived from "geser" in Egyptian meaning sacred and whose importance is such that his name is written in red ink in the Turin Canon of kings. Djoser is Saqqara and Saqqara is Djoser perhaps only in the case of Abu Simbel and Ramesses II has a king been so closely identified with his architectural monument. The majestic step pyramid of Djose, at the center of the funerary complex of Saqqara, is the oldest structure in the world entirely built of stone. Discovered in 1821 by the Prussian General von Minutoli, it was systematically explored and studied some twenty years later by the German archaeologist Lepsuis.Originally it was constructed in the form of a normal mastaba. The mastaba "which in Arab means bench or shelf" was the tomb of nobility and court dignitaries, rectangular in shape and with slightly inward- leaning walls. A second mastaba was added on top of the first, then a third and several more until a pyramid of six gradually diminishing the Sumerian Ziggurat.
As it stands today, the pyramid is 62 meters in height and the base measures 109 by 125 meters. The burial chamber of the king was located almost at the center of the pyramid, at the bottom of a large vertical shaft 28 meters deep.
From here a labyrinth of rooms, corridors, chambers and passageway and protecting the eternal rest of the sovereign spreads outwards over an area of more than five kilometers. The shards of about forty thousand alabaster pots, plates, bowls and vases were found here and some four thousand have been restored to their original form. The complex of Saqqara in enclosed by a rectangular peripheral limestone wall ten meters high with 14 false doorway creating recesses and reliefs in imitation of the facade of the royal palace of Memphis.

The South Tomb

The replica of the tomb found inside the pyramid is a complete secondary funerary monument. Built to house the canopic vases of the king, it has the same architectural and decorative elements, the stairway that that is 30 meters long reaching a well 28 meters deep, the crypt built of granite and the chambers decorated with blue faience porcelain tiles.

The "House of the South" and the "House of the North"

Built in the north eastern part of the courtyard, at the back of the great pyramid, these two structures are also dummies as the interiors are bricked and have no chambers. They may perhaps have been intended to symbolize Upper and Lower Egypt as, reproduced on the capitals of the columns that decorated the façade, are respectively the lotus flower for the "House of the South" and the papyrus for the "House of the North" . Visible above the entrance door of the former is the elegant frieze known as a "Kheker" an imitation in stone of a roof covering made from bundles of reeds. 

The Courtyard of Heb Sed "Jubilee Courtyard"

The great courtyard named for the festival of Heb Sed lies to the east inside the Djoser complex. On the north side is the immense hulk of the step pyramid, on the east side were thirteen chapels with vaulted roofs, while the façade had three slender grooved columns. These chapels, dedicated to the jubilee celebration, have no interior and were probably dummies dedicated to the Egyptian deities. The South tomb is at the south west corner of the courtyard and has various funerary chambers which probably housed the internal organs of the King. A chapel beside the tomb has a characteristic frieze decorated with a cobra, the king's protective symbol. In a corner of the courtyard stand three statues of imposing size, supported by a pilaster like a caryatid, these are a rare example of the statuary of the Old Kingdom. They are much damaged, but the central one clearly represents Djoser, with the long artificial beard, the arms crossed on the breast, holding the symbols of power, and the long adherent costume worn on the occasion of Heb Sed.

What is the Heb Sed or Jubilee Festival?

During the 25th or 30th year of a king's reign the ceremony of Heb Sed took place and was to all extents and purposes, a jubilee when the sovereignty of the ruler was again recognized and confirmed. The ceremony which began during the first dynasty, is frequently portrayed in wall paintings and it has therefore been possible to reconstruct the event. It was celebrated on the first day of the month of Typi during the season when crops were sown "Peret", and was originally held in a series of structures made of leaves and papyrus and lotus stalks. The king Djoser decided that the event should be more important and had stone, and therefore permanent, buildings made to accommodate it.The festival began with a great procession lead by a High Priest and was celebrated in the various chapels situated around the courtyard. Once the gods had given their consent to the king's spiritual suitability, he had then to demonstrate his physical suitability by undergoing tests that could vary from one sovereign to another. The test may have been a bullfight, or shooting arrows to the four cardinal points, but the most common was a race running along a course indicated on the ground of the court, around the house of the North and the house of the south. At the end of the race, the king was crowned for a second time with the white and the red crowns of the two kingdoms. 

Who is Imhotep? 

Imhotep is one of the great geniuses in the history of mankind. Architect, magician, philosopher, so great a doctor that the Greeks identified him with Asclepius, their god of medicine, he was without doubt the author of a Book of knowledge which, however, has been entirely lost. family tradition his father was Kanofer whom the King personally appointed to be in charge of all the kingdom's buildings. He learned his trade in his father's workshop, probably in Memphis, firstly carving stone vases, then becoming a sculptor and architect and subsequently rising to assume the highest offices of the state, both religious and administrative.
The high priest of Heliopolis as well as grand vizier, on the base of a statue erected in honor of Djoser an engraving describes him as "first after the King". On becoming a deity, Imhotep- whose name means "he comes in peace" joins the triad of Ptah, to whom he is son and Sekhemkht. He is represented seated, dressed in a long tunic, his head shaved and a papyrus scroll on his lap. According to Manetho, it was Imhotep who "discovered how to cut stone for building of monuments, yet also introduced the new techniques extensively, bringing about an unprecedented artistic revolution.

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